You bring what you have written.
We build everything after it.
The concept required depicting an emotionally heavy ascent up a treacherous snowy peak, making the consistent generation of harsh snow dynamics and raw facial expressions the most challenging part to build.
The concept asked for a high-speed rivalry race between two shoes competing to be selected by a player, and the hardest part was creating distinct visual personalities and maintaining consistent motion physics for both across changing extreme environments.
The concept asked for a hyper-realistic cosmetics commercial blending vibrant makeup with skincare, and the hardest part was generating consistent, photorealistic textures for the glossy jelly, melting butter, and flawless skin close-ups using AI.
Twelve crafts go into every film we deliver. The tools do one of them. People do the other eleven.
Character consistency and world consistency are where almost every AI video falls apart. A face that shifts between shots, a jacket that changes colour, a room that isn't the same room. Holding those still is the work.
What disappeared was the trucks, the crew, the locations and the six week schedule. What did not disappear was the treatment, the shot design, the grade, the mix and the score.
You describe the place. We build it. Nothing is shot by you, and nothing needs to exist before we start.
"You guys were actually more expensive than my other option. And I still came back."
"The whole story just got put together, and I could never have done that myself. I couldn't have done that story myself in any other way."
These are starting prices, not fixed prices. Your final quotation is set after we read your script and understand the concept, because complexity is what decides the number. You get that quotation on the call, before anything begins.
Every running time above is a range, because the concept decides it. Complexity decides the number, not duration. One character in one world is straightforward. Three characters across four eras, each recognisable in every shot, is a different order of work.
Or book a 20 minute call if you already know what you want made.
We are a small film studio. Ten people who make cinematic brand films and full feature films, using AI as one tool inside a normal film process.
We started because founders kept showing us concepts they had written and could not afford to make. The idea was already good. What was missing was a crew.
So we built one that works differently. Same treatment, same shot design, same grade and mix as a proper shoot, without the trucks and the schedule.
